ryann comes in jars (
cornichaun) wrote in
bakerstreet2020-04-06 10:19 pm
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The Helpful Hostage Meme
Running from a wrongful accusation of murder? Wounded by your archenemy and looking for a place to hide? Need a pilot to go after those drug lords escaping across the border? Don't have time to go through the official channels? Find a hostage! And make them help you.
In this meme, one person desperately needs help. And, in order to get it, they grab another character. Off the street, out of their car, from a restaurant.
PROMPTS: (optional)
1 - MEDICAL ATTENTION.. You're bleeding, in pain and desperate, and you need medical attention. Right now. What will you do? Break into a private practice after hours? Find a darkened house or apartment with a convenient bathroom?
2 - SHELTER. The cops are after you. The temperature is dropping below -20. You're out in the middle of nowhere and you're starving. You don't have any options left - except for this.
3 - TRANSPORTATION. You need to get out of town. Fast. Can't buy a car, can't rent a car, can't take a bus - how do you leave?
4 - PROFESSIONAL SKILLS. You need a doctor. A lawyer. A pilot. A spy. And you know just the one. And you're going to get their help whether they want it or not.
5 - A HOSTAGE. You need a body to threaten. Maybe it's the President's daughter; maybe it's just someone off the street. Either way, it's leverage you're after. Maybe you'll turn them loose once you get to the border.
6 - FINISH THE CRIME. Get the manager who can open the bank vault. Or whatever else you need to commit your act of murder, sabotage and/or thievery.
7 - IT WAS AN ACCIDENT???? Fuck.
8 - CHOOSE YOUR OWN.
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Even with the knowledge that her understanding of Solas was not quite as thorough as she'd once believed, abducting her seemed out of his usual style. Sending agents to use her as leverage in order to force her new, nameless little order into drop whatever lead they had been following on him? Far too heavy-handed, and only served to tell them that the trail they were on was hot in the first place.
It's as she makes her third circuit around the cell, penned up in some ancient elven tower identical to any of the ones she saw from her hop-skip through the eluvians, that Trevelyan realizes that was probably the point — obfuscation. Like Orlesian jesters and their sleight-of-hands, making a big show with one hand to hide what the other is doing, and then suddenly the coin or the dove or the spy was gone without a trace. Send everyone on a wild nug chase, convinced that they had gotten too close to something important enough to alarm him, and make it further difficult for anyone to trust their own information. In the event that they really had begun to close in on something, now it's impossible to tell whether it's legitimate or a dead end being thrown as a distraction.
Well. Makes no difference, she's not going to just give up. When she swore that she would change Solas' mind, that they could endure this and find another way together, Trevelyan meant it. She intended to drag him back, kicking and screaming if necessary, and if he no longer cared for her in the end, well, she'd live with that like she lived with everything else. But nowhere did she say she wouldn't also make herself a thorough and implacable nuisance gumming up his plans at the same time, and if he's gone so far as to actually capture her, even if it's for a distraction, then she's doing something well. A thorn in his side.
"Thorn in his paw," she mutters, snorting inelegantly. A fourth loop around the room, and then the sound of measured footsteps down the stone stairs outside brings her to finally pause, curious. A guard, no doubt.
"You may tell your master that if he intends to intimidate me," she calls through the bars, "confinement is child's play."
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Any loss is a feint, a manipulation. Any win is due to him, and his people.
Fen'harel doesn't play fair. That's sort of the point.
Neither does Solas, but Solas... is at least more kind, when he destroys.
Slow steps bring him into view. Solas is not dressed for battle, but in simple clothes akin to the sort that he often wore in her Skyhold. And he does not look at her, but stares levelly at an angle. His head tilts towards her, and his gaze follows, slow, cool grey eyes and a distant expression that probably won't survive for long.
"Those who swear themselves to my cause," he says, soft and mild, "have no master." A beat, as he turns to face her fully. "And any fool knows that the Inquisitor is not to be frightened away like a child."
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And now, there is something incongruous in seeing him again after so long, dressed for comfort as she would have expected to see in his rotunda, but with the same removed, brittle expression as when they met in the ruins. As if they were strangers. How long has it been since he lowered that marble-carved mask, even just a fraction?
"Your information sounds a bit out of date," she says breezily, retracing her steps back to stand before the ancient bars between them. A faint twinge of phantom sensation buzzes along the stump of her arm, muscles clenching uselessly in memory of a gesture she can no longer make. "No Inquisitor. No Inquisition."
Can't corrupt what isn't there, or so goes the hope. If the well is poisoned, find another source.
Propping the elbow of her remaining arm on one of the crossbars, Trevelyan drops her chin in her palm and quirks a half-smile. "My current occupation is, evidently, maiden-in-a-tower. I really hope there's a dragon in the lower floors."
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"Or so I hear," he says, straightening, "from humans desperate for hope. And answers. I suspect their words hold more truth than they know."
Certainly, the Inquisition is disbanded. But the Inquisitor's companions fight on. Against him.
He draws a half-step closer, measured and slow, clasping his hands behind his back. "Would it surprise you to know there is one? Very close indeed." He has, after all, inherited all of Mythal's abilities.
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Though something about his tone rings oddly, a nail tapped against glass in a quiet room. It's been clear for some time that he plays with his words carefully, and Trevelyan's expression sharpens again with focus.
"How close?" With an exaggerated glance around what part of the narrow corridor she can see, she raises a dark brow curiously. "I haven't heard anything so far. And they do tend to be rather loud."
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Solas wants to let the corner of his mouth quirk, let himself fall into banter. She is so human, and yet... Sometimes he wonders how he could have ever let her put her hands on him, and sometimes he shakes for wanting it so, so very badly. She was so close to his surrender, and she had no idea.
So here is the question: what does he do next?
His purpose for taking her is threefold. One, to slow and misdirect the Inquisition at a key time; he is almost ready to start the largest magical working done in thousands of years. Two, to take the resources still in her blood; some of his own power is still tied to her, despite the removal of the Anchor, and he needs to find out how to reclaim it properly. Three, he is nothing but fair, and he will allow her this chance to convince him to stop. Wisdom requires listening, even when it is so very difficult.
"Tell me," he says, "if our roles were reversed, and you had me in a cage, what would you want from me?"
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She doesn't doubt there is more at work than Solas just indulging in hypotheticals with her, since for one thing he hardly needed to snatch her up out of the blue to do that, but she can at least take this opportunity as it presents itself.
"You know I would just want you to listen, to understand that you don't have to do things the way you intend." She lets her arm drop down to lay against the crossbar, cradling the end of her stump in her palm and resting her weight on her forearm, gaze intense and unwavering. "You're not the only one who thinks the world needs to change, and I don't want to fight you about it."
No doubt Leliana would despair at how quickly she's willing to show her hand, but it isn't as if her feelings are any kind of secret. The mage rebellion had overturned what little life she had in the Circle, and the Inquisition had more or less heaved her over its shoulder and thrown her into leadership, but both events had at least offered her the chance to see that there really were more people than she had ever thought, who wanted to make a difference and see things into a better future.
But if Solas drowns the world in blood, what rises to the surface may not be what he's hoping for. Again. How can he not see that?
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He sighs. "You love me still, then. It is unwise." His gaze is blank and distant, not exactly avoiding her eyes but certainly not meeting them.
Unwise is the least of it. He does not know what to do next. He thought he did, but she tears at his resolve, as always.
"Is that what you want?" he asks. "More than anything? The chance to have me listen."
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Despite her words, it's her heart that twists at the way he won't look fully at her, staring through her instead as if she were already a ghost, something to dwell on and ignore at will. But he has at least not already dismissed her yet, and she pushes forward regardless, fingers curled around one of the cool bars.
"Not just listen, understand — I know you hear the words, but I don't think you're letting yourself consider that they may be more true than what you've decided. The world isn't a mistake for you to paint over or a dying beast to be put out of its misery. We're a living, breathing thing, whole and messy and capable of so much more than you're giving us credit for. I would have you see that."
A pause, then, as she waits for him to just look at her: "And if we're considering the hypothetical things I want, I would also have you kiss me again."
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What is one man's pain when compared with an ocean...
"A world can be both, I find," he says, after a moment. "Alive and dying." A bitter twist of his mouth. "You never did watch me paint, did you?"
He can hardly blame her. She had a lot to do, and the very nature of his technique is such that he spends much more time preparing than painting.
"The technique I use is ancient," he tells her. "First, a layer of wet lime and plaster. Then, the image in outlines. Then, the paint, and it must be done before the plaster is set, within a matter of hours." He shakes his head. "Mistakes cannot be painted over, you see. If there is one, the panel must be destroyed, and the plaster mixed again."
He is thinking, now, of the unfinished corner he left in her fortress. Now she knows: it can never be finished unless it is destroyed.
"It should never have been this way," he murmurs, half to himself.
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The description answers a question she'd long forgotten had ever occurred to her, the distant curiosity of how there could be a blank wall one day and then a lush tapestry the next. Painting had never been her choice of extracurricular in the Circle, so as far as she knew, that's just how it was done.
Of course Solas would pick the most difficult-sounding technique. Why do anything if it isn't deeply impressive to do?
"Then you try another way!" she says, half-exasperated with the metaphor already. "It's a beautiful skill, Solas, but it isn't the only one. And people won't have to die for your perfect vision if you choose one that can be built upon instead."
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"This world, your world," he says, "has been built over a chasm. The veil renders magic foreign and frightening, an artefact of demons. The veil has bred the paranoia that made Templars, and the veil is the reason the mages had to fight. The reason the elves faded. The reason for the cruelties and excesses of Tevinter. The insanity of the Qun. Do you not see what it has done?"
And that blood, that is all on his hands. He knows it every instant.
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Slowly enough that Solas can easily brush her aside if he wishes, Trevelyan abandons the restraint on her urge to reach out through the bars and cradle the sharp line of his jaw.
"We can do so much better." It's a whisper now, soft in the silence of her cell. "See it with me. Build it with me."
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He hadn't realized, somehow, that she'd drawn him in close enough to touch. (Or perhaps she is bending the Fade, without even knowing it...?) And now he should step away, though that would be a surrender, a way of showing her how much she affects him -- but staying, too, is surrender.
Isn't that so very her? Every side, surrender, sweet and keen.
It is a keenness both ways, though. He turns his head to the side, brushes his lips over the inside of her wrist. He knows it will hurt. He does it anyway.
"If I could," he says, with heavy regret, "I would let you live out your life, and die content, before I act."
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If he would just let her in —
"You're still not listening. You can hear me, but you won't even consider what I'm saying." Her voice is pressed thin through the tightness of her throat. "Why ask me what I want from you if you've no intention of giving it?"
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But he does turn his head away.
"In bygone eras," he says, "and I do not speak of Elvhenan but of human eras, it was common for captives to be allowed to roam once they had given their parole. Parole was a vow, a promise that the captive had become removed from the role of enemy combatant and would not resume it until they returned to their nation, or until they formally gave notice and revoked it." He meets her eyes. "Will you give me your parole, Jessamine Trevelyan?"
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But Solas seems ready to slip away again, withdrawing from her touch and falling back into the cold role of a leader. If he leaves upon releasing her, Trevelyan cannot know when she may have the opportunity to speak to him again, to try making him understand.
"I am not your enemy," she insists, her gaze never wavering from his as she draws her arm back within the confines of the cell. "But if I were to give you such a vow, would you be willing to make me one in return?"
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He pauses, at her request. He responds with only one word: "Ask."
He will not promise until he knows what she wants.
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"Will you stay with me? Or at least," she amends, "let me stay with you, for a time. I am not done arguing with you, and I would prefer to do it without bars, like civilized people."
And the longer she keeps him, the more time her companions have to search for her, or stop whatever it is Solas has set in motion. And — she has missed him.
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And yet, this is what he wanted. A tower here, with a cell; a lake, below, and he would like to walk with her on the shores. Speak with her. Make up for some of the time stolen from them.
Give her the chance.
Give him the chance.
He deems this pause enough, and finally inclines his head. "That, I can promise."
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She loves him, so much. If only that meant she could trust him.
"Alright," she whispers, feeling more like something is being closed around her, rather than opening. "Then I give you my word that I won't fight you, or try to escape."
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